Preamp Preamplifier
Wednesday, September 1st, 2010Preamp Preamplifier
What Microphone Preamplifier works best with the Rode NT2-A?
I need to know what mic preamp works best with the Rode NT2-A.
Answer please lol.
The PreSonus ADL600 works best. You didn't say anything about price, so I assume you want the best. The NT2-A requires a minimum of 44 volts of phantom power, many preamps do not meet that.
NAD 1600 Preamp Preamplifier Tuner 5000 CD Player 2100 Power Envelope Amp Amplifier
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New Valcom Page Port Preamp / Expander Pre-Amplifies Low Level Audio To Remote Sites $42.88 Provides virtually unlimitedexpansion for any system (150 Valcom one-way speakers per VC-V-1094). Dimensions: 4.44"H x 2.75"W x 2.88"D. VALCOM POWER UNIT (-1). Master volume control for entire system or groups of remote speakers.... |
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New Valcom Valcom Remote Mic For V-9933A Self-Contained Microphone And Pre-Amp Phantom Powered $29.94 Up to four units may be paralleled on one V-9933A.... |
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TCC TC-400C Phono Preamp, Pre-amp (Preamplifier) $59.95 This model is discontinued; replaced by the TC-400G/L... |
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MSI Media Live DIVA 7.1 Motherboard and 7.1 Pre-Amplifier Sound Card $189.99 AMD Motherboard/Audio combo kit. Pre-amp Audio 7.1 card plus AMD 780G Motherboard kit... |
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TCC TC-740 Variable Output Mike/Phono Preamp, Pre-amp (Preamplifier) $94.99 A variable level output control and the ability to handle line, musical instrument pickup, dynamic mike and phono input signals makes this little item very handy indeed. This is an excellent front end for sound reinforcement applications that don't require the complexity of a mixer but may have to handle various source and output level requirements from job to job. DJs and roadies will benefit fro... |
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Preamp - Universal Stereo Preamplifier Kit $18.95 A low-noise integrated circuit was added and the preamplifier was made in the stereo mode. This amp is without RIAA correction.|n||n||n|Technical Specifications: |n|Power supply : 10 trough 30VDC maximum, stabilized|... |
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Preamp - Universal Mono Preamplifier Kit This kit was design to suit different audio-applications where an insufficient input signal is available.|n|Examples  n|- micro pre-amplifier,|n|- increasing sensitivity of power amplifiers, etc... |n| |n||n|Tec...
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Preamp - Universal Stereo Preamplifier Kit (Assembled) ... |
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TCC TC-750 Audiophile Phono Preamp, Pre-amp (Preamplifier) $43.50 Now available in either BLACK or SILVER FINISH... Improved Edition with Even Better Specs Including 85dB S/N!!! This preamp features better specs than the phono preamps built into most component stereo receivers and amps! Improved PCB layout and 1% tolerance resistors resulting in extremely accurate RIAA equalization (coupled with a s/n ratio a CD player might envy) makes this THE choice for use w... |
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TCC TC-750LC Professional Moving Magnet Preamp $48.50 Now available in either BLACK or SILVER finish! We took the new improved edition of our tried and true TC-750 and added an output level control to create the PERFECT preamp for use with computer sound cards. The adjustable output allows correct setting of recording levels, something you may find your burning software and / or sound card driver has insufficient range to permit. When used with a ste... |
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DUAL INPUT PREAMP $50.99 WINEGARD AP-2870 DUAL INPUT DIGITAL PREAMPLIFIER |
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Page Port PreAmp / Expander $29.99 A solid-state audio preamplifier capable of driving150 Valcom one-way speaker/amplifier assemblies. |
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Millennia HV-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured |
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ISP Technologies Beta Bass Preamplifier $643.5 The Beta Bass Preamplifier offers the professional bassist the highest level of performance ISP Technologies can provide. By incorporating patented Time Vector Processing, the compression circuitry becomes the most adaptive to be used in a bass processor as it allows the Beta preamp to truly track the signal of the notes played. Add in the patented Decimator Noise Reduction Technology, and you have a bass processor with built-in noise protection! With two parametric bands (a low-mid and a high-mid), bass, treble, bright, and an exciter (for phase manipulation), the Beta lets you shape your sound to your own specifications. For absolutely unsurpassable performance, pair the Beta Bass Preamp with the ISP Technologies Bass Vector or Bass Vector Pro cabinets and get up to 4000 watts of bass depending on your choice of configuration! |
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Gemini PA-7000 Professional Preamplifier $99.95 The Gemini PA-7000 Professional Preamp delivers the control and musicality you need to put on a commanding show. Features include a 3-band equalizer, stereo balance and master volume controls, mono mode, mute, low cut, and loudness functions. Modes are switchable between aux, tuner, CD, and phono. Tape play and record outputs have monitor switches. I/O includes 4 inputs and 3 outputs with balanced XLR plus a 1/4" mic input with level control. |
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A-Designs 500-Blue Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy soundIn solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights.The sound of the EM-BlueThe A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Blue is equipped with a nickel custom-wound output transformer. This emphasizes the highs and produces a much more "airy" top end tone. When used with a "dark"-sounding microphone or an alto vocalist, it can produce an absolutely heavenly sound. You will also find this pre useful for recording a snare drum for that crisp "crack" sound. Plus, you just might want to hear what an electric guitar sounds like going thru nickel transformers (trust us, you do!). So, to get down and dirty with an electric guitar you'll want to use the EM-Blue's DI and —20dB pad, and crank the gain for a slight growl.Solid build quality and functionality The A-Designs EM-Blue features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Blue is another stellar example of the |