Archive for December, 2006

Crest Audio

Sunday, December 31st, 2006

Crest Audio
Crest Audio

forms of advertising

A new form of advertising that is growing rapidly is social network advertising. It is online advertising with a focus on social networking sites. This is a relatively immature market, but it has shown a lot of promise as advertisers are able to take advantage of the demographic information the user has provided to the social networking site. Friendertising is a more precise advertising term in which people are able to direct advertisements toward others directly using social network service.

From time to time, The CW Television Network airs short programming breaks called "Content Wraps," to advertise one company's product during an entire commercial break. The CW pioneered "content wraps" and some products featured were Herbal Essences, Crest, Guitar Hero II, CoverGirl, and recently Toyota.

Recently, there appeared a new promotion concept, "ARvertising"; its supported on Augmented Reality technology.

Criticism of advertising

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While advertising can be seen as necessary for economic growth, it is not without social costs. Unsolicited Commercial Email and other forms of spam have become so prevalent as to have become a major nuisance to users of these services, as well as being a financial burden on internet service providers.[18] Advertising is increasingly invading public spaces, such as schools, which some critics argue is a form of child exploitation.[19] In addition, advertising frequently uses psychological pressure (for example, appealing to feelings of inadequacy) on the intended consumer, which may be harmful.

Hyper-commercialism and the commercial tidal wave

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Criticism of advertising is closely linked with criticism of media and often interchangeable. They can refer to its audio-visual aspects (e. g. cluttering of public spaces and airwaves), environmental aspects (e. g. pollution, oversize packaging, increasing consumption), political aspects (e. g. media dependency, free speech, censorship), financial aspects (costs), ethical/moral/social aspects (e. g. sub-conscious influencing, invasion of privacy, increasing consumption and waste, target groups, certain products, honesty) and, of course, a mix thereof. Some aspects can be subdivided further and some can cover more than one category.

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As advertising has become increasingly prevalent in modern Western societies, it is also increasingly being criticized. A person can hardly move in the public sphere or use a medium without being subject to advertising. Advertising occupies public space and more and more invades the private sphere of people, many of which consider it a nuisance. “It is becoming harder to escape from advertising and the media. … Public space is increasingly turning into a gigantic billboard for products of all kind. The aesthetical and political consequences cannot yet be foreseen.”[20] Hanno Rauterberg in the German newspaper ‘Die Zeit’ calls advertising a new kind of dictatorship that cannot be escaped.[21]

Ad creep: "There are ads in schools, airport lounges, doctors offices, movie theaters, hospitals, gas stations, elevators, convenience stores, on the Internet, on fruit, on ATMs, on garbage cans and countless other places. There are ads on beach sand and restroom walls.”[22] “One of the ironies of advertising in our times is that as commercialism increases, it makes it that much more difficult for any particular advertiser to succeed, hence pushing the advertiser to even greater efforts.”[23] Within a decade advertising in radios climbed to nearly 18 or 19 minutes per hour; on prime-time television the standard until 1982 was no more than 9.5 minutes of advertising per hour, today it’s between 14 and 17 minutes. With the introduction of the shorter 15-second-spot the total amount of ads increased even more dramatically. Ads are not only placed in breaks but e. g. also into baseball telecasts during the game itself. They flood the internet, a market growing in leaps and bounds.

Other growing markets are ‘’product placements’’ in entertainment programming and in movies where it has become standard practice and ‘’virtual advertising’’ where products get placed retroactively into rerun shows. Product billboards are virtually inserted into Major League Baseball broadcasts and in the same manner, virtual street banners or logos are projected on an entry canopy or sidewalks, for example during the arrival of celebrities at the 2001 Grammy Awards. Advertising precedes the showing of films at cinemas including lavish ‘film shorts’ produced by companies such as Microsoft or DaimlerChrysler. “The largest advertising agencies have begun working aggressively to co-produce programming in conjunction with the largest media firms”[24] creating Infomercials resembling entertainment programming.

Opponents equate the growing amount of advertising with a “tidal wave” and restrictions with “damming” the flood. Kalle Lasn, one of the most outspoken critics of advertising on the international stage, considers advertising “the most prevalent and toxic of the mental pollutants. From the moment your radio alarm sounds in the morning to the wee hours of late-night TV microjolts of commercial pollution flood into your brain at the rate of around 3,000 marketing messages per day. Every day an estimated twelve billion display ads, 3 million radio commercials and more than 200,000 television commercials are dumped into North America’s collective unconscious”.[25] In the course of his life the average American watches three years of advertising on television.[26]

More recent developments are video games incorporating products into their content, special commercial patient channels in hospitals and public figures sporting temporary tattoos. A method unrecognisable as advertising is so-called ‘’guerrilla marketing’’ which is spreading ‘buzz’ about a new product in target audiences. Cash-strapped U.S. cities do not shrink back from offering police cars for advertising.[27] A trend, especially in Germany, is companies buying the names of sports stadiums. The Hamburg soccer Volkspark stadium first became the AOL Arena and then the HSH Nordbank Arena. The Stuttgart Neckarstadion became the Mercedes-Benz Arena, the Dortmund Westfalenstadion now is the Signal Iduna Park. The former SkyDome in Toronto was renamed Rogers Centre. Other recent developments are, for example, that whole subway stations in Berlin are redesigned into product halls and exclusively leased to a company. Düsseldorf even has ‘multi-sensorial’ adventure transit stops equipped with loudspeakers and systems that spread the smell of a detergent. Swatch used beamers to project messages on the Berlin TV-tower and Victory column, which was fined because it was done without a permit. The illegality was part of the scheme and added promotion.[21]

It’s standard business management knowledge that advertising is a pillar, if not “the” pillar of the growth-orientated free capitalist economy. “Advertising is part of the bone marrow of corporate capitalism.”[28] “Contemporary capitalism could not function and global production networks could not exist as they do without advertising.”[1]

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my crest audio x-eight mixing console wont let me use solo unless the mute is off?

this is at my auditorium and i think one of the newbies messed it up but i don't know what they did. i cant leave the mute off or there would be a lot of feedback and the audience would hear stuff they shouldn't. can anyone tell me how this could have happened.

The answer to this problem is going to be hard to troubleshoot over Yahoo Answers. My only suggestion is to get a copy of the Crest owners manual and make sure every channel on the mixer is set up the same. Make sure the trim or gain controls are not set too high. They are the top knobs on each channel strip on the mixer.

http://www.crestaudio.com/media/pdf/X8_om_D70-09_dec99.pdf

I could help you if you live near the state of CT in the USA. I have been running sound for 20 years. Click on "Daniel K" to send me a message.

TYLAY TOCADA EN CBTIS 56 guerra de sonidos (1) parte

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New Moon gift set includes exclusive medallion necklace on a silver chain - gold side features wolf-pack tattoo design, silver side shows the Cullen crest.
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Designed for today's demanding applications, the XR-20 is the first in a line of professional Crest Audio XR-Series rack mount mixers. Each input channel offers 4-band EQ with 18dB-per-octave high-pass filters on the mono input channels. Additionally, recording/studio-type features are included, such as insert points on all inputs, subgroups, aux outs and left, right and mono outputs. There are 6 aux buses, which are selectable pre- or post-fader in pairs. The XR-20's main outputs use XLR type jacks and are switchable between mic and line level. These features include a combination of 12 mono and 4 stereo inputs (a total of 20 inputs), all with mic preamps and switched 48-volt phantom power capability.The XR-20 is designed to be used in a wide range of applications including fixed installation, live sound reinforcement, project recording studios, production facilities and broadcast. It has versatility and quality typically found only on larger, more expensive desktop units. The innovative XR-20 mixer is very cost-effective when you consider its robust construction, and exceptional performance specifications. The secret to the XR-20's enormous flexibility is the number of features that Crest has packed into the mixer and the high degree of quality and reliability engineered into its design.Crest has added a level of quality never before seen on a compact rack-mount mixer. Individual circuit boards are used for each input channel and high quality components are employed throughout. Special consideration has been given to the rejection of unwanted external signals, including the use of AES-recommended grounding procedures. Crest XR-Rack Series mixers exhibit less than +/- 30 degrees of input-to-output phase shift - the kind of engineering quality generally reserved for only the most expensive studio consoles.

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The Crest Audio X-Series is regarded as the most sonically accurate and operationally quiet, professional-level rack-mountable console range in the audio industry. With high-end performance and rock-solid construction, the X-Series features a modular design and an extensive feature set suitable for any application. Available in main and monitor configurations, X-Series models feature up to 14 mono and 4 stereo inputs. Long-throw faders, versatile 4-band semi-parametric EQ, channel inserts and high-quality microphone preamplifiers are standard. The X 18R and X 20R consoles have 6 configurable aux buses and three main buses that provide plenty of front-of-house mixing configurations, while the X 18RM and X 20RM have up to 12 mono or six stereo mix buses for floor or in-ear monitoring.



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